Saturday, 28 November 2009
Saturday, 21 November 2009
First 24hrs
We got the tank home late last night and set it up quite crudely to ensure that the live rock was still able to act as a filter.
I removed the crab into a temporary home while I had the chance as I knew he'd disappear into the rocks and we'd never see him again. At least this way, I'd have the choice of re-introducing it when I found out what it was.
When it was all together the water was totally thick with fine sand particles, the live rock was dumped in the middle in a heap and the Humbug was quite crudely dropped in too. It was left overnight to settle and I'd sort it out then. The water level was quite low too, so the rear chambers were dangerously low so I knew I had to go out and get some water ASAP.
So, woke up this morning to find the water had cleared, the Humbug fish was swimming about but every surface was coated in fine grey sand, under that was red coralline algae and green algae.
The only local fish seller (LFS) I know is Viscum, so I toddled off there to get 25l of salt water and a small tub of food for the fish.
Friday, 20 November 2009
Nano marine - the beginnings
Well, I've always wanted a marine reef tank but was always turned off by the extreme expense and difficulty in keeping them.
Thankfully, technology has moved on to the point where it's not ridiculously expensive any more thanks to the new small complete tanks.
Having previously kept tropical discus fish I was aware that it was entirely possible to get a 2nd hand full setup at a massive price saving and also kickstart the whole process to boot avoiding all the tank filter cycling and other stuff.
So, I won and auction for a D&D 24g Nano tank as a complete setup. Below are some pics of it at the sellers house before I brought it home and here's an inventory:
When we dismantled the tank it turned out there was a hitch hiker crab too.
Thankfully, technology has moved on to the point where it's not ridiculously expensive any more thanks to the new small complete tanks.
Having previously kept tropical discus fish I was aware that it was entirely possible to get a 2nd hand full setup at a massive price saving and also kickstart the whole process to boot avoiding all the tank filter cycling and other stuff.
So, I won and auction for a D&D 24g Nano tank as a complete setup. Below are some pics of it at the sellers house before I brought it home and here's an inventory:
- D-D 24gallon nano marine tank full set up which includes:
- Boyu 310 Skimmer
- Eheim 1000 return pump
- Spare stock return pump
- Koralia Nano powerhead
- Live Sand
- Approx 10kg of LR
- 1 Humbug Damsel fish (Black & White)
When we dismantled the tank it turned out there was a hitch hiker crab too.
Sunday, 17 May 2009
Acer Aspire One died! Found a solution :( BIOS corrupted
My Acer Aspire One died this afternoon and refused to startup, it didn't even get to the bios loading screen.
A quick google produced a solution at the link here. Thanks to the original author.
Basically, the BIOS had corrupted and it needed reseting.
Phew!
A quick google produced a solution at the link here. Thanks to the original author.
Basically, the BIOS had corrupted and it needed reseting.
Phew!
Tuesday, 14 April 2009
Mp3 BPM calculation and iTunes
I recently bought an iPod touch and started running for fitness. I have a large collection of MP3s and I wanted to get the BPM field completed for all of my MP3s so that I can choose audio based on it's tempo.
After a *lot* of googling I ended up with the following working solution:
a) use the freeware Mixmeister BPM calculator to batch analyse all of the files. This took hours to do but it's the core of it all. Note that this tool outputs accurate bpms to 2 decimal places, which need fixing with the following step.
b) round all of the BPMs up/down to the nearest integer. This is a more recent requirement as apparently iTunes 8.1 and above ignore decimal points for BPM so you *have* to get them all to integers. e.g., 123.4 won't work, 123 will work.
I do this by running scripts through Mp3tag as written here: http://forums.mp3tag.de/lofiversion/index.php/t8295.html
c) I use ITLU (iTunes Library Updater) to tell iTunes the new BPM files have changed and it needs to refresh. If you don't do this, iTunes won't update it's understanding of the BPM.
After a *lot* of googling I ended up with the following working solution:
a) use the freeware Mixmeister BPM calculator to batch analyse all of the files. This took hours to do but it's the core of it all. Note that this tool outputs accurate bpms to 2 decimal places, which need fixing with the following step.
b) round all of the BPMs up/down to the nearest integer. This is a more recent requirement as apparently iTunes 8.1 and above ignore decimal points for BPM so you *have* to get them all to integers. e.g., 123.4 won't work, 123 will work.
I do this by running scripts through Mp3tag as written here: http://forums.mp3tag.de/lofiversion/index.php/t8295.html
c) I use ITLU (iTunes Library Updater) to tell iTunes the new BPM files have changed and it needs to refresh. If you don't do this, iTunes won't update it's understanding of the BPM.
Sunday, 11 January 2009
PlayStation 3 PS3 - what you get for the money
As always, comments are welcome.
Now, I'm fortunate enough to work for Sony but regardless of that I really like my PlayStation 3. What follows is my personal view and does not represent that of my employer or any other person.
Here's what I can do by itself at no extra cost:
* Play PS3 games obviously
* Watch Blu-Rays & DVDs in high-def. The DVD upscaling is the best I've seen
* Listen to music with a great visual display to match of planet earth in glorious HD
* Look at photos with a great looking slideshow that looks like someone throwing photos onto a table
* Wirelessly connect to the internet for browsing
* Download & play brilliant games from the PlayStation Store
* play online with other players at no extra cost
If you compare that to what you get out of the box from an Xbox 360 then you can see that it represents much better value. Especially if you tried to replicate everything it does with supporting hardware.
Here's what supporting hardware I've got, none of which is essential but it adds to the experience:
* Play TV
* PlayStation Portable
* BluRay remote
* Buffalo Terastation Duo - 1TB (Media Server)
* Full HD tv
Add in the PlayTV and you've got yourself a Freeview+ box (terrestrial freeview and a digital recorder) to watch and record digital TV
Now, layer onto this a PSP to connect to your PS3 via Remote Play and you can remotely connect to your PS3 from anywhere in the world and view photos, listen to music, watch videos and watch live tv and your recorded programmes!
Now, throw in a media server that your PS3 magically connects to and you can safely store all of your photos, music and video and access them either on your PS3 *or* on your PSP anywhere in the world!!
This only really scratches the surface of the capabilities of the PS3 but in the space of 3 months it's become the central entertainment hub in our house through which most of our onscreen entertainment flows.
I'm objectively happy that I chose a PS3 as the base on which to build everything. I'm very happy.
Now, I'm fortunate enough to work for Sony but regardless of that I really like my PlayStation 3. What follows is my personal view and does not represent that of my employer or any other person.
Here's what I can do by itself at no extra cost:
* Play PS3 games obviously
* Watch Blu-Rays & DVDs in high-def. The DVD upscaling is the best I've seen
* Listen to music with a great visual display to match of planet earth in glorious HD
* Look at photos with a great looking slideshow that looks like someone throwing photos onto a table
* Wirelessly connect to the internet for browsing
* Download & play brilliant games from the PlayStation Store
* play online with other players at no extra cost
If you compare that to what you get out of the box from an Xbox 360 then you can see that it represents much better value. Especially if you tried to replicate everything it does with supporting hardware.
Here's what supporting hardware I've got, none of which is essential but it adds to the experience:
* Play TV
* PlayStation Portable
* BluRay remote
* Buffalo Terastation Duo - 1TB (Media Server)
* Full HD tv
Add in the PlayTV and you've got yourself a Freeview+ box (terrestrial freeview and a digital recorder) to watch and record digital TV
Now, layer onto this a PSP to connect to your PS3 via Remote Play and you can remotely connect to your PS3 from anywhere in the world and view photos, listen to music, watch videos and watch live tv and your recorded programmes!
Now, throw in a media server that your PS3 magically connects to and you can safely store all of your photos, music and video and access them either on your PS3 *or* on your PSP anywhere in the world!!
This only really scratches the surface of the capabilities of the PS3 but in the space of 3 months it's become the central entertainment hub in our house through which most of our onscreen entertainment flows.
I'm objectively happy that I chose a PS3 as the base on which to build everything. I'm very happy.
Extending a wifi network - BT HomeHub & D-Link 2100AP
Firstly, my motivation for doing this was to improve the quality of my wireless network around the house as I now have loads of devices wanting to connect throughout the house - desktops, PS3, laptop, PSP, phones, iTouch, media server, the list goes on.
I've spent quite a few hours on this now and I've done a lot of investigation coupled with trial and error to get this working and I wished someone had shared their experiences.
I hope this helps someone, please post comments if you had feedback.
I started out with a BT HomeHub v1.0 and as you probably know, you can't replace the aerial and it's not very powerful so it needs help. I had an opportunity to try the HomeHub v2.0 and it doesn't work as it has some criticial software elements missing for some reason.
Despite a lot of messing around, the best signal I could get in my front room was 50% and the connection was spoaradic at best. Laptops were dropping connections and my PS3 kept getting dumped from PSN during downloads, while watching SingStar videos, listening to music from my remote media server.
After much digging, here's the setup I have.
* BT HomeHub v1.0 in my upstairs home office (this DOES NOT work with a HH v2.0 as they removed the critical bit)
* Dlink 2100AP hidden downstairs close to the front room
During my trials I had problems with WPA security and reverted the whole network down to WEP, I'll do some tests to see if I can restore the security but it's always worth going back to basics when you're trying to get something to work.
Once your 2100AP is turned on and theoretically working, go back to the HomeHub and navigate into the Advanced->Wireless->Repeater and scan to find your 2100ap, which is cunningly called 'default' by default. Select the checkbox and Apply to tell your HomeHub that it should send the wifi signal through this device.
On the 2100AP, you need to make a few changes:
* the device IP needs moving from 192.168.0.50 to 192.168.1.50 so it's on the same subnet as the HH. If you don't do this then you may as well have 2 seperate networks.
* you need to enable the DHCP server on the 2100ap, I set mine to go from 192.168.1.20 upwards but you must ensure that this DHCP range doesn't cross-over the HH DHCP range that usually starts at .64 and goes upwards. If you don't do this then your devices won't get a network address from the HH DHCP and it won't work. Again, I'll investigate this and see if I can remove the DHCP from the 2100AP and get this working just through the HH..
* Set the wireless mode to 'AP Repeater' and scan to find your home network MAC address, which will enable the 2100AP to talk to the HH - this closes the loop and bi-drectional communication and everything should now work!
I now have everything working just as I want it bar a few tweaks to simplify the setup.
I'll update this post with any fixes I make but please post comments with feedback.
I've spent quite a few hours on this now and I've done a lot of investigation coupled with trial and error to get this working and I wished someone had shared their experiences.
I hope this helps someone, please post comments if you had feedback.
I started out with a BT HomeHub v1.0 and as you probably know, you can't replace the aerial and it's not very powerful so it needs help. I had an opportunity to try the HomeHub v2.0 and it doesn't work as it has some criticial software elements missing for some reason.
Despite a lot of messing around, the best signal I could get in my front room was 50% and the connection was spoaradic at best. Laptops were dropping connections and my PS3 kept getting dumped from PSN during downloads, while watching SingStar videos, listening to music from my remote media server.
After much digging, here's the setup I have.
* BT HomeHub v1.0 in my upstairs home office (this DOES NOT work with a HH v2.0 as they removed the critical bit)
* Dlink 2100AP hidden downstairs close to the front room
During my trials I had problems with WPA security and reverted the whole network down to WEP, I'll do some tests to see if I can restore the security but it's always worth going back to basics when you're trying to get something to work.
Once your 2100AP is turned on and theoretically working, go back to the HomeHub and navigate into the Advanced->Wireless->Repeater and scan to find your 2100ap, which is cunningly called 'default' by default. Select the checkbox and Apply to tell your HomeHub that it should send the wifi signal through this device.
On the 2100AP, you need to make a few changes:
* the device IP needs moving from 192.168.0.50 to 192.168.1.50 so it's on the same subnet as the HH. If you don't do this then you may as well have 2 seperate networks.
* you need to enable the DHCP server on the 2100ap, I set mine to go from 192.168.1.20 upwards but you must ensure that this DHCP range doesn't cross-over the HH DHCP range that usually starts at .64 and goes upwards. If you don't do this then your devices won't get a network address from the HH DHCP and it won't work. Again, I'll investigate this and see if I can remove the DHCP from the 2100AP and get this working just through the HH..
* Set the wireless mode to 'AP Repeater' and scan to find your home network MAC address, which will enable the 2100AP to talk to the HH - this closes the loop and bi-drectional communication and everything should now work!
I now have everything working just as I want it bar a few tweaks to simplify the setup.
I'll update this post with any fixes I make but please post comments with feedback.
Tuesday, 6 January 2009
Independant game development - 20yrs on
Below is a list of games I was involved with during my time in independent game development - 1988 - 2008. I've now moved over to the publishing side to experience how the other half live.
More details here on MobyGames but it's partially wrong as it's based on game credits, which were occasionally wrong and frequently never acknowledged - http://www.mobygames.com/developer/sheet/view/developerId,133861/
More details here on MobyGames but it's partially wrong as it's based on game credits, which were occasionally wrong and frequently never acknowledged - http://www.mobygames.com/developer/sheet/view/developerId,133861/
Title | Target | Role |
To End All Wars | PS3 & X360 | Project Manager |
SWOS | XBLA | Project Manager |
Sensible Soccer | PS2 & XBox | Project Manager |
Buzz! The Sports Quiz | PS2 | Project Manager |
LMA Manager Pro | PC | Project Manager |
Club Football 2005 | PC | Project Manager |
PS2 & XBox | Project Manager | |
PC | Lead Programming, Project Manager | |
Barbie – Treasures In Time | PS2 | Programming |
PlayStation | Programming, Project Manager, Design | |
Rugby 2000 | PlayStation | Project Manager |
LEGO Project | PC | Project Manager, Programming |
AFL98 | PlayStation | Project Manager, Programming |
PlayStation, Saturn | Programming, Project Manager | |
Saturn | Assistant Programmer | |
PlayStation | Programming | |
Saturn | Programming | |
Theme Park | Saturn | Programming |
Amiga, Amiga CD32 | Design, Programming | |
Lothar Matthaus Super Star Soccer | Amiga, PC | Programming, Design |
PC, Amiga | Programming, Design | |
Amiga | Assistant Programmer | |
Amiga | Assistant Programmer | |
James Pond II – RoboCod | MegaDrive | Programming, Design |
Programming, Design | ||
Programming | ||
Programming | ||
Mantis | Programming | |
Pears | Programming | |
OOPS | Programming | |
T.R.A.P. | Programming |
Tuesday, 23 December 2008
[Non-Kiting] An Interview I did some time ago.
Taken from : http://www.playstationmuseum.com/Features/Interviews/INT001.htm
Simeon Pashley The statements and expressions in this interview are the opinion of Simeon Pashley and do not represent those of any other company or individual.
When you think of the PlayStation's elitists, some names that might come to your mind are Jason Rubin (Crash Bandicoot), Hideo Kojima (Metal Gear Solid) or David Jaffe (Warhawk). For me, one name that comes to mind is Simeon Pashley. Simeon is one of the most talented and most humble programmers that I had the pleasure to talk with. I have the utmost respect for this man because he was the lead programmer for two of my favorite PAL PlayStation games: X-Com Terror From the Deep and Z. Both of these games are still popular sellers on eBay to this day. Although he undoubtedly did a great job on X-Com and Z, he will be the first to tell you that he merely converted the game data to PlayStation and credit should go to the original designers of the game.
Simeon is currently a technical director at Kuju (www.kuju.com), developers of some of the hottest PS2 games. Prior to this he had worked at Runecraft Ltd and Krisalis Software Ltd. Although his stint at Runecraft was brief, it was his many years and contributions at Krisalis that made him a PlayStation elitist.
I hope you enjoy the Museum's first full-fledged interview.
PSM: At what age did you start programming?
Pashley: Programming at home. 1st 5-line piece of code on ZX81 around 81-82, a simple 'avoid the monster' game written in basic. You stepped X+1 from the left, monster went X-1 from the right. You pressed up/down to choose your path at each turn, and it just moved towards you.
PSM: What computer did you learn how to program on?
Pashley: Dabbled around with 'demo' coding on BBC Micro but it just wasn't up to it. I did do quite a lot of 6502 on it though. I'd put down Atari ST was where I really started games programming when I was part of the 'scene'.
PSM: You developed for both Saturn and PlayStation. Which platform was easier to program?
Pashley: Initially Saturn was my weapon of choice and expertise having come from Megadrive/Genesis. But it's achilles heel of not being able to render triangles (only quads) was where it got really messy.
PSM: If a novice programmer wanted to start programming on the PlayStation, would you recommend purchasing a Net Yaroze or an official Sony development kit (assuming proper software and libraries were included)?
Pashley: Net Yaroze is the only real option. PS1 had a steep learning curve and Yaroze hid all that away plus it left the real programming to the paid developers. Hard-core programmers threw away more and more of the standard libraries as the ps1 experience expanded late in it's life. Yaroze never even offered GTE/assembler/macro programming as an option.
PSM: What Sony development setup did you use or prefer to use?
Pashley: PC+Sn Systems (later called ProDG). 'Brief' was the programmers editor and a real 'mans' tool all of which was in DOS. No multi-tasking windows operating system for us. A network was a luxury in the early days.
PSM: Your resume lists Black & White, Driving Game #1 and #2, and a Shoot’em Up. Why was Black & White never released? Was Black & White near completion? Were either of the other 3 games mentioned above ever released or why not?
Pashley: Sorry, I can't comment on any of the above.
PSM: On eBay, Z and X-Com Terror of the Deep are still hot sellers. How does it feel to work on such hit games?
Pashley: TBH, I'm proud of what I've done and I've got framed copies of all my games on my home office wall but it's quite normal really as I work with people in the games industry who mostly have a similar colourful past and/or even more impressive.
Being in the games industry there's so much focus on what's coming next and what's on the horizon there's little time to reflect. Also, the time between us finishing the game and it appearing on the shelves is quite large so we're usually well into the next game and don't get time to rest.
PSM: How does it feel to work on a much anticipated game such as Black & White and then never have it released?
Pashley: Again, it's pretty normal really within the games industry. These decisions are often made by marketing people and it simply comes down to money. I.e., will I get more money for the game than I'm going to spend to produce it? If that's a 'No' then that's it. Maybe sales forecasts drop? Maybe a competing product comes out? Maybe an opportunity is missed?
For me it was always about programming and it didn't really matter what I was working on as long as someone paid me to do what I really liked doing. I loved hacking about, trying new things, trying to prove to someone it was possible to get that extra 10% of performance, or emulate the latest feature from PC graphics cards on the lowly PS1. TBH, I'd have done it for free. I always left the design and art to others who were (and still are) much better at it than me although I still get involved with it to this day.
PSM: I appreciate you taking your time to respond and supporting the PlayStation Museum.
Pashley: In short, ps1 offered some exciting opportunities, kept me employed and companies I worked for generated quite a bit of cash. I can probably attribute a large part of the house I'm sitting in right now to the success of PS1 though so I owe them some allegiance.
If only someone would pay me to do just what I wanted but the games industry has changed so much these days into a process of making money. Sadly, I spend most of my days now looking at spreadsheets and the odd VB script is about the extent of my programming experience.
Simeon Pashley The statements and expressions in this interview are the opinion of Simeon Pashley and do not represent those of any other company or individual.
When you think of the PlayStation's elitists, some names that might come to your mind are Jason Rubin (Crash Bandicoot), Hideo Kojima (Metal Gear Solid) or David Jaffe (Warhawk). For me, one name that comes to mind is Simeon Pashley. Simeon is one of the most talented and most humble programmers that I had the pleasure to talk with. I have the utmost respect for this man because he was the lead programmer for two of my favorite PAL PlayStation games: X-Com Terror From the Deep and Z. Both of these games are still popular sellers on eBay to this day. Although he undoubtedly did a great job on X-Com and Z, he will be the first to tell you that he merely converted the game data to PlayStation and credit should go to the original designers of the game.
Simeon is currently a technical director at Kuju (www.kuju.com), developers of some of the hottest PS2 games. Prior to this he had worked at Runecraft Ltd and Krisalis Software Ltd. Although his stint at Runecraft was brief, it was his many years and contributions at Krisalis that made him a PlayStation elitist.
I hope you enjoy the Museum's first full-fledged interview.
PSM: At what age did you start programming?
Pashley: Programming at home. 1st 5-line piece of code on ZX81 around 81-82, a simple 'avoid the monster' game written in basic. You stepped X+1 from the left, monster went X-1 from the right. You pressed up/down to choose your path at each turn, and it just moved towards you.
PSM: What computer did you learn how to program on?
Pashley: Dabbled around with 'demo' coding on BBC Micro but it just wasn't up to it. I did do quite a lot of 6502 on it though. I'd put down Atari ST was where I really started games programming when I was part of the 'scene'.
PSM: You developed for both Saturn and PlayStation. Which platform was easier to program?
Pashley: Initially Saturn was my weapon of choice and expertise having come from Megadrive/Genesis. But it's achilles heel of not being able to render triangles (only quads) was where it got really messy.
PSM: If a novice programmer wanted to start programming on the PlayStation, would you recommend purchasing a Net Yaroze or an official Sony development kit (assuming proper software and libraries were included)?
Pashley: Net Yaroze is the only real option. PS1 had a steep learning curve and Yaroze hid all that away plus it left the real programming to the paid developers. Hard-core programmers threw away more and more of the standard libraries as the ps1 experience expanded late in it's life. Yaroze never even offered GTE/assembler/macro programming as an option.
PSM: What Sony development setup did you use or prefer to use?
Pashley: PC+Sn Systems (later called ProDG). 'Brief' was the programmers editor and a real 'mans' tool all of which was in DOS. No multi-tasking windows operating system for us. A network was a luxury in the early days.
PSM: Your resume lists Black & White, Driving Game #1 and #2, and a Shoot’em Up. Why was Black & White never released? Was Black & White near completion? Were either of the other 3 games mentioned above ever released or why not?
Pashley: Sorry, I can't comment on any of the above.
PSM: On eBay, Z and X-Com Terror of the Deep are still hot sellers. How does it feel to work on such hit games?
Pashley: TBH, I'm proud of what I've done and I've got framed copies of all my games on my home office wall but it's quite normal really as I work with people in the games industry who mostly have a similar colourful past and/or even more impressive.
Being in the games industry there's so much focus on what's coming next and what's on the horizon there's little time to reflect. Also, the time between us finishing the game and it appearing on the shelves is quite large so we're usually well into the next game and don't get time to rest.
PSM: How does it feel to work on a much anticipated game such as Black & White and then never have it released?
Pashley: Again, it's pretty normal really within the games industry. These decisions are often made by marketing people and it simply comes down to money. I.e., will I get more money for the game than I'm going to spend to produce it? If that's a 'No' then that's it. Maybe sales forecasts drop? Maybe a competing product comes out? Maybe an opportunity is missed?
For me it was always about programming and it didn't really matter what I was working on as long as someone paid me to do what I really liked doing. I loved hacking about, trying new things, trying to prove to someone it was possible to get that extra 10% of performance, or emulate the latest feature from PC graphics cards on the lowly PS1. TBH, I'd have done it for free. I always left the design and art to others who were (and still are) much better at it than me although I still get involved with it to this day.
PSM: I appreciate you taking your time to respond and supporting the PlayStation Museum.
Pashley: In short, ps1 offered some exciting opportunities, kept me employed and companies I worked for generated quite a bit of cash. I can probably attribute a large part of the house I'm sitting in right now to the success of PS1 though so I owe them some allegiance.
If only someone would pay me to do just what I wanted but the games industry has changed so much these days into a process of making money. Sadly, I spend most of my days now looking at spreadsheets and the odd VB script is about the extent of my programming experience.
Be sure to visit the Black & White prototype page to read an article about Simeon and Black & White.
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Thursday, 3 January 2008
Industry quote: Why has multiformat games development become so problematic?
Industry quote: http://www.developmag.com/interviews/115/Multitalented
Kuju Sheffield rebranded itself as Chemistry earlier this year, and with it decided on Unreal Engine 3 exclusivity. And while that’s certainly insulated the team from some of the pain of multiplatform development – “We’ve got Epic worrying about the technology, so we can be worrying about other things,” says managing director Mike Cook – as studio manager Simeon Pashley explains, there are still significant issues to be worked around.
“The very big issue, we feel, is networking. There’s no commonality on any of the platforms, even to the end-user, on what the experience is like,” he says. “There are very obvious differences between Xbox Live, PlayStation Network and GameSpy or whatever other PC service you use.”
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